What’s in a Name?

Naming my latest game – the War of the Dragon Kings – was much more of a challenge than I thought.  I knew that a lot of good names were taken out there in the board game world, but I was surprised at just how many that number turned out to be.  I would like to offer my thoughts about the naming process to anyone who is interested … so here goes!

When to choose the name of your game?

Do you start with the name? Do you decide on the name at the end of the process? Do you let it emerge organically while you design and playtest? I am sure that this is different for different people. There is no right answer.

In my case, I started with a name, but I just pulled something I thought was interesting out of a hat. I started out with The Light and Darkness War. I vaguely remembered a comic book … maybe a series … of that name from the 70’s or 80’s. I did a quick search on BoardGameGeek and Google to make sure that no other game was named that, and then I went with it. But, I was never in love with that name.

I have had thousands of games in my collection over several decades and owned and/or played, or at least researched, thousands more game titles while enjoying my life-long love affair (sorry, Ingrid!) with board games. Some games that have done very well have had simple titles — Dominion, Go, Sorry, Strike!!. Other successful games have had more complex names — Chaos in the Old World, Shadows of Brimstone, A Study in Emerald. Some games go after an intellectual property – Dune, Star Wars, Battlestar Galactica. Etc. That makes it easy. Well, to name the game anyway. Although once you start getting into expansions, then you have to fool with sub-titles. Star Wars: Rebellion, etc. Some games are named after the land the game takes place in, whether real or imaginary – Settlers of Cataan, Carcassonne, San Juan, Las Vegas. Some game titles are descriptive – Fantasy Battles, Dungeon Raiders, Castles of Burgundy. Some game titles are based on a pun – Roll Player springs to mind. This is by no means meant to be a complete list and I am probably leaving out several other categories.

Now – here is where the hard part comes in. You choose a cool name. Then you go to BoardGameGeek or do a Google search – and find that it is already the title of an existing game. Where do you go from here?

1. Give up on the name and look for something new.
2. Add a subtitle.
3. Use the name anyway and worry about the consequences later.

If you look for something new, you go back to the drawing board and come up with another option. Let’s say you started with Star Wars … it turned out to be taken. Who knew? Now you say, “To heck with Star Wars, that game probably won’t do well anyway … I’ll go with Star Raiders.”

But Star Raiders is taken too.

So, then you try Star Battles, Star Conquest, Star Conflict, Star Food Fight, Star Grudging Stare, Star Innuendo – and THEY ARE ALL TAKEN!

You wanted to use the word Star because you want to indicate to anyone seeing this game on a shelf or reading about it on a list somewhere, that it is set in space. Now it’s thesaurus time. You pull up the online thesaurus and start looking at other options for Star. (I am too lazy to do this, even for the sake of science). You see Star, Stellae, Constellation, Bright Thing, and a few other options.

Now you are set – you change the game’s name to Bright Thing Wars! …. And … it’s … taken…

You grab your computer monitor, pick it up and hurl it through the window just like Chief smashing the grill with the marble water fountain in One Flew Over the Cuckoo’s Nest.

After a trip out to Best Buy and back, with a new monitor in place, you calmly proceed to the next step.

Back to me. I needed to nail down the name of my game and start getting cover art if I was going to begin the marketing process. I had created an entry on the BGG web site, which is like staking out your claim for a board game title. This is the equivalent of a dog peeing on a fire hydrant. THIS IS MY FIRE HYDRANT is what he is saying.

But just to be sure I went back to the internet and searched again – Light and Darkness War Board Game didn’t bring up any hits, but I did get a hit on just Light and Darkness War. Seems like they re-made the comic series from the 70’s/80’s just a few years back. That meant that that title, as obscure and whacky as it was, was too hot to fool with. I didn’t want to have to look up obscure copyright laws and deal with cease and desist letters from the law firm of Anderson, Bruford, Wakeman, and Howe – PLUS I wasn’t in love with the name anyway, so I decided to change it.

The game is set in a Fantasy land and has monsters and magic and lots of battles … so … Fantasy Battles. Done! Yay! Except that that name was too close to Warhammer Fantasy Battles. I don’t want people looking my name up and getting confused with something else (and there is decades worth of content about WH Fantasy Battles floating around out there).

So next up — Monsters and Magic. I know that AND titles are not “in” right now. We had so many years of Dungeons AND Dragons, Tunnels AND Trolls, and stuff like that … but …. It lets people know it’s a fantasy game, involving monsters and spells. However, Monsters and Magic was taken, as were two or three other names along the same line that I tried out.

I was on about my 30th attempt at a game title at this point. So, I did what any good creative person would do at this point, I searched for an online tool to do the work for me. I found a website that generated random fantasy book titles. This generated page after page after page of options, some more relevant than others. The Quest for the Ribbon of Unicorn was one of my favorites.

Another half dozen options presented themselves. But once again – ALL WERE TAKEN. Not necessarily by board games, but these would show up on the other side of my search – on the Internet – as computer games. Maybe a board game and a computer game could have the same name, but not worth the trouble to find out – so still no luck.

I did the next logical thing a creative person would do – I tried to get others to come up with the name for me. I went to a Discord server where lots of talented game designers meet up to discuss stuff and asked for help.

I had a name in mind now – It wasn’t take yet – but was it interesting. My brain was a bit weary from three to four days of being deadlocked and absolutely being dead in the water working on this problem, so I wasn’t the best judge at this point. The folks there were all very helpful. So …

Since my game has elements of espionage and diplomacy in it as well as the monsters and magic and fighting, – how about Aggressive Diplomacy? The name doesn’t sound like much by itself, but I was thinking of a board game cover art piece with a Giant’s fist smashing through the gate of a castle and startling all the soldiers on the other side as they went flying back. To me, I had it. I was done. I just wanted to make sure others liked the idea. Unfortunately – nobody liked the name.

After I got through crying and made another quick trip to Best Buy, I thought that if these folks don’t like that name then it’s probably not going to work. They came up with a lot of alternate ideas and I wrote a few down on my list. One in particular sounded promising: Crown and Glory. They all liked it, I liked it, and it wasn’t the name of an existing board or video game as far as I could tell by my research.  I thanked everyone and went off to do an UnPub event.

I was kind of in a limbo at the event, telling some folks they were playtesting The Light and Darkness War and telling other folks they were playtesting Crown and Glory. When I got home, I was still not sold on the new name, because it reminded me of a biblical phrase that I had heard many times in my life – something about “a woman’s hair is her crown and glory”. I searched further and realized there was a Warrior Knights expansion (I even own it – that must have been buzzing in the back of my head trying to alert me) called Warrior Knights: Crown and Glory. Because it was a sub-title, instead of the main game, it was legal for me to use it as my main title, but the combination of knowing some people would look up my game and get it mixed up with a Warrior Knights expansion and the thing about ancient women cutting or not cutting their hair …. Just turned me off of the idea.

Back to the drawing board.

It was at this point that it really sunk in how many good names were already taken, when you add all the board games, physically or web-published, to all the computer game names together.
Finding a basic, descriptive name, that sums up your game, with just a couple of words is REALLY HARD now. Sorcerer King, Wizard, Magic Wars, Fantasy Battles, Monster Wars, etc. etc. etc. are ALREADY TAKEN.

Where to go next.

Well I realized that some words could be used over and over again. I remembered that there were like five different versions of board games named Shogun. I owned two different games both named Samurai Sword. So, I could use Fantasy Battles and just not worry about it.

Then it struck me. I wasn’t alone. Even the best designers were out there struggling to find good, descriptive game titles. Two of the biggest games that just came out were Gloomhaven and Charterstone. I had just purchased Legacy of Dragonholt. I played Daggerfall a couple of months back.

Concatenate two fantasy words and I was done.

I listed every relevant fantasy word I could think of and concatenated them. I came up with a lot of options and I think this is one of the few directions new board game designers can take if they want to quickly come up with a unique game name. Suddenly I had several options that were unique and available.

But something just wasn’t feeling right.

It was at this point that I realized I had gone about this whole process incorrectly. Bells started clanging in my head and the ghosts of a couple of benevolent computer monitors looked down on me while shaking their heads as I finally figured out my problem…

While I had created the game and all its mechanics and spent hours and weeks and days and months working on creating cards and character boards and making prototype monster and artifact miniatures and on and on …. And I had playtested the doors off of the game over and over and over …

I had been avoiding my least favorite part of the game – writing up the rules. Now some people start with the rules. I can’t imagine that. I don’t like reading OR writing rules and if I can hand off a game to someone else and they learn it and then explain it to me I am in board game heaven.  My process is to keep the rules entirely in my head until the very last thing, then write them all up, do blind playtesting and go from there.

That was not actually the problem though. While I love creative writing and enjoy writing up the lore/background of games, I consider that a RULES task. I had not written up the lore of the game.
THAT was the problem.

Suddenly I sat down and crafted the lore of the game as the first part of a Rules document and everything came together. Now I knew what words I was looking for. Instead of looking at all existing words and working backwards, trying to find a title that summed up my game …. Now I only had a few words to look at and see if the right combination tumbled into place like a Rubic’s Cube when you finally realize you can just pull all the colored bits off and stick them back on and the puzzle is solved and everybody (that wasn’t watching) thinks you are a genius.

I had a land …. Where there was a war going on … that was ruled by Dragon Kings ….

Now I had a short list of about six titles: Dragon Kings, Dragon Wars, War of Dragons, War of the Dragon Kings. Taken, Taken, Taken, – AVAILABLE!

Had I started with the lore/background of what the game was about I could have saved myself a long LONG LONNNNG process. I am not too upset about it because you learn best when you are dealing with problems, and I learned a LOT by working through this.

It may be that some of you, reading this, are saying to yourselves – “IDIOT – of course you should have started with the lore!” However, it was just not obvious to me.

For every game I design from now on though, I am going to start with what the game is about and get a short list of names and make the magic happen.

I guess I will have to give up the parking spot with my name on it at the local Best Buy store though, as I should be buying a few less monitors than before.

Why Seventh Son Games?

I started a company in Alabama with 2 of my friends in 2015. We called the company Druid City Games because Tuscaloosa, where my friends live currently, has so many old growth oak trees everywhere, that its nickname is the Druid City. Tuscaloosa’s hospital, where I was born, is called Druid City Hospital.

Working with Druid City Games as an owner, designer, developer, and publisher was a dream of mine that went back more than 30 years. In 1977, the year that Star Wars hit the theaters and blew me away, I also discovered Dungeons and Dragons role playing game. My best friend Andy’s father, Morris Simon, was writing Choose-Your-Own-Adventure books for TSR Endless Quest line and they had given him a copy of Basic D&D to try out.

From the first moment I held those crazy plastic dice of various shapes and sizes in my hand – even though you couldn’t see the numbers on them until you filled them in with a colored crayon – I became a gamer for life. Having Mr. Simon (Sonny to his friends), be the Dungeon Master for our small group which included Andy, myself, and Andy’s older step-brother Sean, was a life-changing experience for me.

Over the next few years, we ran through modules with unforgettable names, such as The Keep on the Borderlands, Into the Unknown, The Lost Caverns of Tsojcanth, Against the Giants, The Aerie of the Slave Lords, Ravenloft, The Tomb of Horrors and the Temple of Elemental Evil. I became obsessed with Dungeons and Dragons. I spent most of my high school experience working on maps and creating my own adventures instead of listening to the teachers.

Over the years, as I graduated from high school and started college, my obsession with Dungeons and Dragons grew even more out of control. I joined the Fantasy Game Club of the University of Alabama and began gaming with a very robust and energetic group of gamers. I started playing 2 sessions of D&D a week … and then 3 and then 4. At one point it got so outrageous that I was playing in a different person’s campaign every single night of the week, including Saturday and Sunday evenings, AND was running my own campaign on Sunday mornings with a few hours break during mid-day before the evening session started.

Now some folks might ask – how do you maintain your grades while playing 8 five or six hour sessions of D&D per week? The answer is – you don’t. I had to drop out of school for an entire semester because I was in danger of failing all my classes across the board and ruining my GPA permanently. So – I dropped out of college to pursue my promising new career as a Dungeonmaster.

Yes, as you might have guessed by this point – I eventually decided to tone down the D&D to only 1 or 2 games per week and get back in school, eventually graduating with an M.I.S. degree from the business school.

With many sudden new holes appearing in my previously filled RPG dance card, I turned to board games as a way to enjoy a bit of my free time. My first real board game that I can remember, other than the standard fare of Monopoly, Checkers, Parcheesi, Chess, Risk, Operation and so forth, was the 1981 huge box game called Dark Tower. You had a round map with an electronic tower in the middle that would rotate to face the current player and had flashing lights and loud electronic sounds of battle. The game would probably not be much fun to play given the advances in gaming in the last several decades, but I will always think of it fondly with my Nostalgia Glasses on.

I had lots of fun with some Milton Bradley big boxed games like Shogun, Fortress America, Broadsides and Boarding Parties, and so forth. I also dived into Magic Realm for a session or two, although that game, like many board games from the 70s and 80s, was so complex that I was barely able to follow it and gave it up after a few tries. The Avalon Hill game Titan became my next obsession, with me playing some infamously long (like 12 and 14 hour) sessions with 6 players that eventually ended the next morning with 2 players worn out and snapping at each other until the bloody end.

I played from 6 pm on a Friday night until 8 am on a Saturday morning once, but it was worth it as I finally was able to locate and destroy my friend Keith’s Titan stack and obliterate him from the board. I don’t think we were on speaking terms after that game for a month or so afterwards. We were so tired we were literally snarling at each other as the morning light was peeping in through the curtains.

The discovery that grabbed me next and moved me solidly into the board game realm and out of the RPG realm, though, was when I stumbled across a pair of games by a group of designers, that just blew my mind.

I am, of course, talking about Dune and Cosmic Encounter, by Peter Olotka, James Kittredge, Bill Eberle and Bill Norton (Bill Norton is on the credits for CE but not for Dune).

Both of those games had been around since the late 70’s, but I didn’t run across copies of them until the 80’s. These games were groundbreaking in a couple of ways. The first thing that blew me away was the theme. The theme was so well integrated, especially in Dune, with the game, that it gave me goosebumps sometimes as I was playing the evil Harkonens and destroying my opponent with an especially nasty trick like a Las-Gun/Shield explosion or using Weather Control/Family Atomics to blow the Shield wall and wipe the Atreides player’s entire army off the map, when he thought he was safe and snug in his Stronghold.

The next thing about those two games that really impressed me was the asymmetric nature of the player boards. With Dune, you had Great Houses that played in 6 entirely different ways. With Cosmic Encounter, you had 16 (or more with the expansion packs) different Alien Powers that you played as, each breaking the rules in their own, unique way. After I acquired some of the expansions, we started playing with Dual Powers and that upped the fun factor even more. I still tell the story to this day of a CE game in the early 90’s, where a friend of mine named Dave-san was looking at his two power sheets for quite a while. Eventually I asked him “What are your two powers?” He looked up and said, “I am a Mutant and a Loser.” To which I replied “Yes, but what are your powers?”. The whole table cracked up, eventually even Dave-san joined in the laughter.

Another element of those games was the cleverness/chaos/combo factor. Many games I was used to playing allowed you to use various tactics and strategies (short term and long-term planning), but with CE and Dune, you could combine cards to do really awesome and clever things. Combining cards and powers and using those combos at just the right time, or even more hilariously – screwing them up and doing them at the wrong time – really, really appealed to me. Anybody can play Dune or Cosmic Encounter after some lengthy rules explanations, but not everybody can squeeze all the nuances and subtleties out of those games, at least until they have played them several times and become veterans.

The chaos element I mentioned above was especially prevalent in CE. In that game you could have a full count of units (round, colored chits in the original version – cool plastic space ships that stack on each other in later versions), you could have an alliance of 5 out of the 6 players, you could have amazing cards in your hand, and you might still lose the battle because the other player you were attacking pulled the 40 combat card and your highest was a 20…. Or because the other player used his Power to reverse the digits of both cards, turning your 20 into a 02 and his 19 into a 91.

I had never run into such craziness in all my years of gaming! This was amazing. No two games were ever the same. Gone were the sometimes-tedious games of Risk where the winning player, 4 out of 5 times, was the person who grabbed and solidified Australia first and got a steady bonus of 2 troops every round to help him conquer the map. Gone were the games of Titan where you marched around with caravans of stacked chits of troops endlessly nipping at the heads or tails of your opponent’s caravan trains, hunting weak creature chits to wipe out or the ever-elusive Titan stack.

Over the years I have played Dune and Cosmic Encounters until I have worn the games out and had to replace them. They embody everything that I love about gaming.

Oh and guess what – they are diceless! You heard me – there are NO DICE in either Dune or Cosmic Encounter. Why is that important or interesting? Well, for the style of game that I like to play, with a rich theme, high player interaction, asymmetry, variable player powers, elements of chaos, card and power combos, and so forth – usually fitting well within the American style of board games (known to some as Ameritrash board games as opposed to Eurogames), many of these types of games involve endless dice rolling.

Titan, for example, had moments where you had finally recruited up the chain and got a Serpent, and you might be rolling 18 six=sided dice or even 36 at a time and counting successes. With Risk, you might roll poorly and lose your place in multiple continents, in Monopoly you might not roll the number you need to get on the property you want, while your opponent is grabbing Park Place and passing Go like a madman.

Now don’t get me wrong, I don’t mind a bit of dice rolling in games. I like a bit of randomness, whether it comes from dice or card draws or whatever …. but I am one of those unfortunate people to whom the dice do not reciprocate the love. I once rolled 53 six-sided dice in the game Eclipse before I got a single 6 on any of the dice. Statistically I should have rolled 8 to 9 sixes by that time. In some dice-heavy games I just sigh as none of my tactics or strategy seems to matter and I watch the game slip away from me despite my best efforts. Games I design will most likely include dice, but only occasionally and should only determine small ranges of luck and not decide the entire game for the most part.

There are many amazing Eurogames, where the theme is usually Renaissance Europe, set in the countryside of France, Italy, Germany, the Netherlands, and so forth. That style of gaming, with its wooden resource cubes, auctions, resource management and trading and catch-up mechanisms and so forth is hugely popular to a large portion of the board gaming community. For the most part, though, that is not my style. I want to sink my teeth into some nice juicy theme and have amazing art and components to look at and to grab onto while playing. Give me some zombies, pirates, space ships, gangsters, or even the servants of the mighty Cthulhu and I am usually quite happy.

We are in the Golden Age of board gaming right now with board game sales increasing by roughly 20 percent every year for the last 4 or 5 years and becoming a billion-dollar market. There are many factors which are contributing to this, including the rise of the crowdfunding platforms such as Kickstarter as well as huge leaps in artwork and components, 3d modeling and printing software and hardware, etc.

Because of the groundwork that has been laid by the “founding fathers” like the designers of Cosmic Encounter and Dune mentioned above, as well as the euro designers like Wolfgang Kramer, Reiner Knizia, Klaus Teuber, Rudiger Dorn, Michael Schacht and many, many others such as “Ameritrash” poster child and all around cool guy – Eric Lang, people like me are now in a position to publish our own designs and share them with the world. The old system of only a few major companies selecting only a few titles each year to publish has vanished like the passenger pigeon.

So back to Druid City Games. With James Hudson and Doug Butler as partners, we decided to cut our teeth on a bluffing card game called Barnyard Roundup.  It was inspired by one of my all-time favorite card games called Cockroach Poker.  We took some of the mechanics and we feel that we improved the gameplay as well as re-theming the game to something a bit more family friendly.  The main goal from this game was to keep it simple and learn the ropes to using Kickstarter and dealing with the whole process of designing and publishing a board/card game.  Long story short (too late for that right?), the game funded on day 1 and we learned many things about the industry.

Game number 2 was in prototype form when our company attended Gen-Con 2015 and met Tim Eisner, of March of the Ants fame. He was shopping for a publisher for a reboot of an idea he had that was originally called Three Pigs. It didn’t fund the first time around and he was currently too busy with ongoing projects to re-visit it, but he was hoping someone else could assist him in making the game a success on the 2nd attempt. After playing the prototype, my partners and I really felt like the mechanic was something fresh and interesting and the new name/theme was a natural next step for us from our first game and would fit right in with what Druid City Games was all about.

We dropped our current prototype in the dust and never looked back. I must have played 40 different demos and new games during that Gen Con, but on the drive home, I told my partners that Tim’s game was the one I enjoyed most out of quite a prestigious list. After a few weeks of negotiations, we signed a contract with Tim to develop Three Pigs which was now emerging under a new name – The Grimm Forest.

As Lead Developer, I had an amazing opportunity to take the game to another level. I took Tim’s ideas and mechanics and used them as inspiration to create almost an entire new deck of cards for the game. It was very important to me as I was creating the fairy tale characters and so forth in the game, that they be thematically paired very strongly with their powers. For example, when creating the Goldilocks card, I created a power for her called Breaking and Entering, where she would steal some items from other player’s boards. The art matched up and showed her at the kitchen table in the Bear family’s house having just eaten some porridge, with the kitchen looking ransacked in the background.

The Grimm Forest was a smashing success for us. I think it was a combination of Tim’s brilliant game mechanics and vision, James Hudson’s talent for marketing, Doug Butler’s steadying influence and wisdom and playtesting notes, and my ability to create content and come up with new cards and mechanics to boost the game to its full potential.

With 2 games under my belt, I decided to branch out on my own so that I could fully explore some ideas that I have been working on here and there for about 20 years. I have a stack of game ideas and prototypes and notes that’s about 2 feet tall and I was really excited to start turning my newfound knowledge into getting some amazing and interesting games on the table. I have all the good wishes in the world for the continued success of Druid City Games. Doug and James are going to be a force to reckon with in the gaming industry going forward. I am excited to see what the next game they decide to focus on will be.

But now it’s time for the world to see what Seventh Son Games can do as well.

I searched long and hard for a name for my new company, that would reflect some of my core values. I had to find an available URL to match the company name and that was harder than I thought it would be. Many of my choices for a company name were already taken. Some were for sale from some opportunistic people who had just registered everything they could think of with a fantasy or sci-fi word in them and the put them up for sale for exorbitant prices. Other names were available, but when I did a google search for them, I found that they were attached to some extremely disreputable and/or shady content.  I don’t want to mention it here, but ask me at a Convention sometime and I’ll tell you what a couple of the choices were that I had to steer away from in horror.

Searching for inspiration, I went back to my heavy metal roots and started searching through the lyrics of Ronny James Dio, Black Sabbath, Rainbow and Iron Maiden. One of my favorite Albums/Songs from the old days was Seventh Son of a Seventh Son, a very interesting Album where the title song was based on an award-winning Orson Scott Card (of Ender’s Game fame) book called Seventh Son, which was in turn based on folklore.

I searched the internet, almost holding my breath, for negative things associated with the Seventh Son of a Seventh Son legends, but I didn’t find any roadblocks like I had with previous searches. So – I liked the name, it meant something to me personally, the URL was available, and not only did I not find something prohibitive in the lore. In fact, the lore was pretty cool.

A Seventh Son, born with a completely male line, with no sisters born in between each brother, throughout history has been thought to have supernatural powers. A Seventh Son OF a Seventh Son was supposed to be even more powerful. The powers include a broad range, from clairvoyance (a.k.a. second sight), to healing, to having power over snakes, to being a werewolf in Latin America.

The two aspects that I wanted to focus on with my company were:

  1. Second Sight – I want my company to take lessons from games of the past and industry trends and so forth and go forward, looking to the future. Seeing where the gaming industry is headed in terms of social media, marketing, distribution, sales venues, pricing models, corporate buy-outs of the independent companies and other factors should help me to create/publish products that I love and get them out into the world in the best way possible.
  2. Lycanthropy – For no other reason than werewolves are so damn cool. I designed my own logo and it is a werewolf howling at the moon. I have decided to name him RJ, in tribute to Ronnie James Dio who’s amazing lyrics inspired me so much as a teenager. RJ will be my mascot and I will make sure he gets on every box cover of every game I am part of going forward, if at all possible. I am imagining a “where’s Waldo?” type situation, but with a werewolf.

I plan to Blog a bit about the design process and my thoughts on various aspects of the gaming industry. I have written about a lot of things over the years, but they have mostly been inflicted on my friends and gaming buddies. Now I have a chance to share my thoughts with any who care to listen and am looking forward to some lively discussions in the days ahead. I plan to discuss games and mechanics that I love or hate, publishing companies and online retail trends, books and movies, and maybe even throw in a few heavy metal lyrics that I find interesting from time to time.

If you have read this far then I thank you for listening and applaud you for your dedication and perseverance!

I will end this for now with some RJD lyrics:

Dio

Rainbow in the Dark (1983 Holy Diver Album)

When there’s lightning, you know it always brings me down
‘Cause it’s free and I see that it’s me
Who’s lost and never found
I cry out for magic, I feel it dancing in the light
It was cold, I lost my hold
To the shadows of the night

No sign of the morning coming
You’ve been left on your own
Like a rainbow in the dark
A rainbow in the dark

Do your demons, do they ever let you go?
When you’ve tried, do they hide, deep inside
Is it someone that you know
You’re just a picture, your’re an image caught in time
We’re a lie, you and I
We’re words without a rhyme

There’s no sign of the morning coming
You’ve been left on your own
Like a rainbow in the dark
Just a rainbow in the dark, yeah

Extended Bio

Ok – so who am I and why am I designing/publishing board games?

I have over 40 years of gaming experience that I bring to the table. I started playing chess with my dad when I was 4 (I remember beating him quite a few times, so either he was really terrible at chess or he was just being nice and letting me win). My father was a teacher for most of his career, but back then he was a partner at a bar in Dothan, Alabama called The Rain Barrel. They had a stand-up arcade game there called Tank (later to be known in the Atari line as Combat). I played that game until my hands cramped up and got blisters, but I mastered it. I would stand on a chair in the bar at that Tank console and defeat all comers. I was like a little mini Pinball Wizard, but with a black and white screen and a tank shoot-out.

Should a 4-year-old have been in a bar? Well I didn’t do too much drinking back then, but I did love to collect those tiny little empty liquor bottles like the kind they serve you on an airplane. My dad would make me a cherry cola using a cool little nozzle dispenser to fuel my Tank game world domination efforts so I have no complaints. At 4 I already had my own bb gun and machete and since we were living on a farm, I would just wander off and go rattle-snake and/or arrow-head hunting, frequently returning with one or the other as a trophy.

When I was 5 years old my parents bought me a Pong video game from Sears and I sat entranced with those 2 white lines and that cruel 8-bit white dot that would careen back and forth between them. My parents had just found an electronic drug that would keep me out of trouble at home for hours on end. Eventually the drug of choice moved on to Atari and then to Nintendo.

In 1992, at a Christmas party, I met my amazing wife Ingrid, and have been with her ever since. She has several degrees including a Master’s Degree in International Studies from the University of Washington in Seattle. We lived in Seattle for 2 years during the 90’s and I worked various jobs such as forklift driver and quality control inspector in an electronics warehouse while supporting her time at the UW. Ingrid is currently working as a Senior Systems Engineer at deciBel Research here in Huntsville after spending many years with companies such as Raytheon, SAIC, Dynetics, etc. There is some debate as to whether Ingrid is smarter than I am. Everyone who has ever met both of us says it’s her. I say it’s me. I guess we will have to let history decide since the voting results are so even.

I absolutely loved the Pacific Northwest area, other than the fact that it drizzles nearly non-stop for 9 months out of every year. Oh but those summer months were amazing! I had a blast going to Pike Place Market, eating lunch on top of the Space Needle, and going hiking on Mount Rainier (the irony of that name JUST hit me after all these years … lol).

I was in on the Beta of World of Warcraft and played it an average of 6 hours a day for five or six years. I had to give up computer gaming when my twin daughters were born though, in order to be a good dad and be present in their lives. I had to go cold-turkey because I have an obsessive personality with things like that and I can’t stand to just casually play them, I have to master them. I couldn’t just casually play WoW and I knew it. I probably played the least board games of my life during the WoW period, although I still had a group that would meet a couple of times a month and play various titles.

I graduated with a degree in Business from the University of Alabama (M.I.S. program) and moved to Colorado where I lived for 8 years while working for IBM. For most of that time I was what was then called a Tower Project Manager. I managed the relationships between HUGE clients like IBM Global Services, the State of California, US-Canada Customs, etc. IBM Global Services had a revenue stream of more than $30 Billion dollars per year. Running meetings and change control boards and coordinating massive multi-country teleconferences was fun at first, but eventually became very stressful.

Next, we moved from Colorado to Florida where our twin daughters were born. I’ll always remember that year as being very soothing interlude and a huge change from the blizzards of Colorado. We rented a place right across the street from the ocean and I would, while working from home, frequently take my business calls on my cell phone and wander over to lay on the beach while participating in a meeting. The crashing of the waves on a beach has almost magical properties for me and I would find myself in a Zen-like state approximating transcendental meditation. I am not sure I always gave 100% during those ocean-side conference calls, but oh well. I would love to live by the beach again at some later point in my life.

After what felt like entirely too short a time, we moved back to Alabama, but to the Huntsville area instead of Tuscaloosa. We had to get back into proximity of both of our families so that our kids could visit with their Grandparents and cousins. I left IBM and did a stint working for Dell and Boeing doing some asset management in the IT department, but decided to retire so that I could be with my kids full time and start a new adventure – Homeschool. My kids are by far the most important thing in my life, and to get the chance to be with them and spend more time with them and guide their learning process was something I just couldn’t pass up.

While retired, I discovered that I had some spare time on my hands again. I started meeting with the Huntsville Gamers board game group and made some new and amazing friends. After several years of hard-core board gaming, I started up a board game design/publishing company with some of my old friends from Tuscaloosa – Druid City Games. After two successful Kickstarter projects, I have left Druid City Games and have formed Seventh Son Games, where I have big plans for the future!

My current prototype, which I hope to launch on Kickstarter in 1st/2nd Quarter 2018, has a working title of The Light and Darkness War. I plan to talk about the design process as a recurring topic in the Blog section and share the things I learn while working through the process. Hopefully my experiences can help others who are thinking about or in the process of creating/publishing their own games.

For me this is a dream come true and I have wanted to start my own business and design my own games for pretty much my whole life. There are so many great people in this industry and nearly every person I have encountered so far has been willing to share tips and lessons to help others succeed. I plan to continue that tradition.